The Path Of Least Resistance Robert Fritz Pdf
From 's List of the. Review: 'The Path Of Least Resistance' by Robert Fritz Don't judge a book by its cover: this is not a flowery, froofy self-help book. Will completely change the way you think about goals and planning. Changa sada yaar ain malkoo mp3 download. The author's background is, of all things, music composition.
Review: 'The Path Of Least Resistance' by Robert Fritz. Don't judge a book by its cover: this is not a flowery, froofy self-help book. The Path of Least Resistance will completely change the way you think about goals and planning.
While studying the creative process to as a way to help himself create better music, Fritz discovered that there aren't just similarities between the creative process used by artists and the process businesspeople use to create results: it's the exact same process. From a certain perspective, every creative and productive person is simply 'making it up as they go along,' regardless of their field of work or study. 'Structural tension' is a key element in many complex systems in the world, including the systems you're surrounded by when you're trying to work.
If you're trying to accomplish something important and you're having trouble making progress, you should examine the structure underlying your actions. Trying to achieve better results without changing the underlying structure is like trying to ski uphill - you can try, but it's not going to work all that well. Ultimately, will teach you how to imagine (in vivid detail) what you want to create, establish a structure that will pull you towards your goal, and maintain the momentum generated by your early efforts until you've successfully created what you desire. This book will help you in every aspect of your life and work: after all, creating something of value is what business is fundamentally about. Special thanks to for recommending this book. Buy 'The Path Of Least Resistance' by Robert Fritz.
The Creative Process, as defined by Robert Fritz in The Path of Least Resistance Basic Steps in the Creative Process (from The Path of Least Resistance by Robert Fritz) 1. Conceive of the result you want to create. If not by need, and not by the demands of the circumstances, and not by revelation, then how do you conceive of what you want? Simply by 'making up' the results. 66) The question 'What do I want?' Is really a question about results. Perhaps a more precise way of asking that question is 'What result do I want to create?'
68) How clear do you need to be about the results you want? Clear enough that you would recognize the result if you had it. 124) A fundamental choice can provide the crucial difference in successfully making the shift from the reactive-responsive orientation to the orientation of the creative. Without making the fundamental choice to be the predominant creative force in your life, you will merely be finding more sophisticated ways of responding to circumstances.On the other hand, once you make the fundamental choice to be the predominant creative force in your life, any approach you choose to take for your own growth and development can work, and you will be especially attracted to those approaches that will work particularly well for you.
193) • I choose to be the predominant creative force in my life. • I choose to be true to myself. • I choose to be healthy. • I choose to be free. Know what currently exists. However wanted or unwanted your present circumstances may be, they function as needed feedback so that you can know the current status of the results you are creating. 234) The pivotal technique in the creative orientation may help you use unwanted circumstances as a catalyst to help propel you toward where you want to be.
• Describe where you are. • Describe where you want to be. • Once again, formally choose the results you want.
235) Step 4 of the pivotal technique leaves the structural tension unresolved. This is very desirable, because then you are able to assimilate structural tension more easily. The tension will be particularly helpful in generating natural processes in which the path of least resistance leads you directly toward the result. When you make a choice, take two steps: • conceive of the results you want, that is, have a clear vision of what you want to create. • formalize the choice by actually saying the words, 'I choose to have.' 175) When you make a formal choice, you activate the seeds of germination.
You align all the energies at your disposal and set them in motion toward your choice.Choices about results have power. Learn the rhythms of the creative process. Creators have a higher ability to tolerate discrepancy than most others.When you create you become a player of forces such as contrasts, opposites, similarities, differences, time, balance, and so on.to the creator, all of the forces in play are useful. If there is more discrepancy, there is more force to work with. If there is less discrepancy, there is more momentum as you move toward the final creation of the result.The discrepancy between what you want and what you currently have forms the most important structure in the creative process, that of structural tension.